Product Code Database
Example Keywords: playstation -ornament $88
barcode-scavenger
   » » Wiki: Bill Laswell
Tag Wiki 'Bill Laswell'.
Tag

William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from , , , , and styles.

According to music critic Chris Brazier, "Laswell's pet concept is 'collision music' which involves bringing together musicians from wildly divergent but complementary spheres and seeing what comes out." Although his bands may be credited under the same name and often feature the same roster of musicians, the styles and themes explored on different albums can vary dramatically. Material began as a noisy band, but later albums concentrated on , jazz, or readings by William S. Burroughs. Most versions of the band Praxis have included guitarist , but they have explored different permutations on albums.


Early life
Bill Laswell was born on February 12, 1955, in Salem, Illinois. As a child, his family relocated frequently, exposing Laswell to a variety of regional cultural and musical traditions.

In his teenage years, Laswell's family settled in Michigan, an area with a very diverse music scene during the 1960s and 1970s, from Motown Records to Detroit's burgeoning punk and rock scenes. During this time, Laswell taught himself to play bass guitar, and he developed an unconventional approach to the instrument, experimenting with its potential to create soundscapes rather than merely support rhythm.


Career

Early years
Laswell began performing as a bass guitarist in R&B and funk bands in Detroit and Ann Arbor, Michigan, and saw shows that combined genres, such as Iggy and the Stooges, MC5, and . He was also influenced by jazz musicians , , and . The live jazz performances and experimental rock acts of Michigan's music festivals encouraged him towards musical experimentation and non-traditional forms, including African drumming, Indian ragas, and Middle Eastern maqams. Later, he was intrigued by the avant-garde and experimental movements of the 1970s, including the works of minimalist composers and electronic music pioneers. He began experimenting with effects pedals and early recording techniques, reflecting his broader artistic philosophy, that music could transcend traditional categorizations and connect diverse cultural and sonic elements.


New York and Material
In the late 1970s Laswell moved to New York City, immersing himself in the thriving New York music scene. He moved into producer 's loft and became part of a group of musicians that would become the first version of Material. Material became the backing band for and New York Gong. The band consisted of Laswell, keyboardist , and drummer . They were usually supplemented by guitarists Cliff Cultreri or .

He worked with , , , , , Peter Brötzmann, , , and with musicians in , a genre that combined avant-garde jazz, funk, and punk.

(2025). 9781561592845, Grove's Dictionaries.

He started a recording studio with and met Jean Karakos, owner of Celluloid Records. Under the Material name Laswell became the de facto house producer for Celluloid until the label was sold in the 1980s. He recorded music that was experimental, combining jazz, funk, pop, and R&B, by musicians such as , , , , and the band Massacre with Fred Frith and Fred Maher. His association with Celluloid allowed his first forays into "collision music", a term coined by British writer Chris May of Black Music & Jazz Review. Recordings with the Golden Palominos and production on albums by , , and appeared on the label. Celluloid was an early advocate of hip hop, producing albums by Fab 5 Freddy, GrandMixer D.ST, Phase II, and . The album World Destruction paired with Afrika Bambaataa years before and Run–D.M.C. collaborated on their rock/hip hop version of "Walk This Way".

In 1982, Laswell released Baselines, his solo debut album. A year later, he had a breakthrough with "Rockit", a song he co-wrote and produced for Herbie Hancock's album Future Shock. He played bass guitar and co-wrote other songs on the album, leading to collaborations with Hancock through the 2000s. He won a Grammy Award for producing Hancock's next album, Sound-System.

He became a member of the band Last Exit in 1986 with Peter Brötzmann, Ronald Shannon Jackson, and Sonny Sharrock. Aside from one album that Laswell cobbled together in the studio, the band was primarily a live one, showing up at gigs with no rehearsal. The first time the four members played together was on stage at their first show.

Laswell produced albums for Sly and Robbie, , , Motörhead, , , and . Many of these bands afforded Laswell the opportunity to hire his working crew to record on more mainstream records. Sly and Robbie hired him to produce their 1985 album Language Barrier and 1987 album .


Running Axiom
founder gave him the opportunity to begin a label in 1990, thus forming Axiom Records. In addition to albums by Material that included Sly and Robbie, William S. Burroughs, , , and , he produced and released albums by Ginger Baker, Ronald Shannon Jackson, Sonny Sharrock, , and Umar Bin Hassan. Among the studio-based albums, Palestinian and violinist recorded an album of music by Egyptian composer Mohammed Abdel Wahab. Gambian virtuoso Foday Musa Suso recorded an album of dance music with his electric Kora, and Turkish saz master Talip Oezkan recorded an album. Master Musicians of Jajouka recorded an album in their village in the Mountains. There were albums by and recorded at Suso's family compound in and music from Morocco.

Praxis featured guitarist Buckethead on Transmutation with Bootsy Collins, , Bernie Worrell, and Afrika Baby Bam from the . The album blended funk grooves and heavy metal riffs with many tracks co-written by Laswell.

included previously released tracks by Praxis and Skopelitis and tracks with members of Parliament-Funkadelic. George Clinton, Bootsy Collins, Bernie Worrell, and the last recordings of are featured prominently. The album includes DXT, Umar Bin Hassan, and Torture. Axiom Dub: Mysteries of Creation, Hyperreal Archive Laswell remixed the Axiom catalog for Axiom Ambient, blending seemingly disparate tracks, releasing some of the music for Sample Material – International Free Zone, a sample library for other musicians to use as material.


Other labels
Subharmonic, conceived by Laswell and ex-Celluloid A&R Robert Soares, though not owned by Laswell, was essentially a vehicle for his projects, most in the ambient or ambient-dub categories. The label licensed a few releases from European labels for American re-release, notably Psychonavigation with and Cymatic Scan with from Pete Namlook's FAX label; Somnific Flux with and Cold Summer by Lull from the Sentrax label. Other collaborators included and . The label also released albums by Painkiller, Praxis, and Divination, an ambient dub project by Laswell. A sub-label called Strata was created with five releases in a more experimental dub/noise/ambient vein. Each of these releases (Death Cube K, Cypher 7, Azonic, and two under his alias Automaton) came in a black jewel case with the name of the project and album title printed on the front.

Three other short-lived labels were created after the demise of the Subharmonic deal. One was Meta, which was intended to be a label. The second label, Submeta, managed four releases before folding. Meta, formed with Janet Rienstra, released only one album, Baptism of Solitude with novelist reading excerpts from his work over soundscapes by Laswell. Meta would appear periodically, distributed by other labels, over the next few years until it returned as a spiritual/yogic label run by Rienstra. The third label, Black Arc, was an associated label of focusing on "Black Rock, Cyber Funk, and Future Blues", according to a sampler. The label featured members of P-Funk on most of the albums and released albums by Bootsy Collins (under the name "Zillatron"), Bernie Worrell (Japan-only), Mutiny (), and Billy Bass.

Charged (1999) by and was released by Laswell's label Innerythmic. After a brief inactive period, the label restarted in 2001, releasing over the next few years and albums by Nicky Skopelitis, Raoul Björkenheim, James Blood Ulmer, , and Gonervill. Innerhythmic also released a live recording by Praxis and reissued Black Arc albums from the 1990, including Zillatron, The Last Poets' Holy Terror and ' Hell & Back.

Laswell moved his studio to West Orange, New Jersey and called it Orange Music Sound Studios. Under Palm's umbrella, though, four albums and a DVD set were released, including a studio album and a live 2-disc set from Tabla Beat Science centered on virtuoso Zakir Hussain, son of . The album included , , Ustad Sultan Khan, and . This group has performed in the US, Lebanon, and Japan. Laswell, Kale, Kahn, and Hussain are usually supplemented by other musicians, which have included Gigi, , from System of a Down, , and artist Petulia Mattioli. In 2001 Life Space Death was released with Japanese trumpeter , Laswell on bass, guitar, and keyboards, and words by the 14th Dalai Lama interviewed by Kondo. Life Space Death, album sleeve notes At the request of Blackwell, Laswell oversaw the debut album by Ethiopian singer Gigi for Palm Pictures with Wayne Shorter, Herbie Hancock, and Laswell. He also produced Abyssinia Infinite and Gold & Wax.

Laswell has stated in interviews that he met with Miles Davis a number of times and discussed working together, but busy schedules kept them from arranging such a recording before Davis' death. He remixed some of Davis's music for (Axiom, 1998).


New century, new labels
He signed a contract with Sanctuary Records that led to the creation of his label Nagual. He worked in the drum and bass genre, starting with Brutal Calling credited to Bill Laswell vs. Submerged that was released by in 2004. He and Submerged worked together again on The Only Way to Go is Down (2006) under the name Method of Defiance. After this album, they assembled producers in drum and bass to collaborate with musicians from jazz. , Future Prophecies, and SPL recorded with Buckethead, Herbie Hancock, and .

In 2010, Laswell created the label M.O.D. Technologies. Its first releases were the albums Jahbulon and Incunabula by Method of Defiance and Mesgana Ethiopia by Material with Gigi.

Along with live dates around the world with Massacre, Material, Method of Defiance, and Painkiller, Laswell travels to Japan every year for recordings and live dates, including with Tokyo Rotation.

In November 2018, he performed in Dave Douglas Uplift band at the London Jazz Festival.

Laswell suffered health problems which required hospitalization in December 2022 and prolonged recovery, which jeopardized his tenure of Orange Music Studio.

Prior to his health problems, Laswell had been recording as a duo with his long-time on-and-off collaborator Zorn releasing the albums The Cleansing (2022) and Memoria (2023) on Zorn's label. His first venture during his health recovery in 2024 was a new Painkiller album titled Samsara with Zorn and original drummer Harris, although for this recording Harris' percussion is electronic and Zorn then Laswell layered up their contributions separately.


Collaborators
Laswell works frequently with a small group of collaborators. These include bassists , , , and ; guitarists and Nicky Skopelitis; keyboardists and Bernie Worrell; percussionists Aïyb Dieng and Karsh Kale, and musicians from P-Funk. has been his chief engineer for over twenty years. Oz Fritz has occasionally filled the role. Fritz is usually Laswell's live engineer of choice, known for live mixing technique. Remixes have been done for Sting, Nine Inch Nails, , Scorn, , and . He has done much work for John Zorn's .

In 2005, Laswell was invited to appear on the PBS series Soundstage. The show featured musicians he has played with over the years, including members of Praxis and Tabla Beat Science, Pharoah Sanders, Foday Musa Suso, Bootsy Collins, and .

Laswell worked with Sony Creative Software on a box set loop library called The Bill Laswell Collection.

He has also worked with and on a project called Equations of Eternity, which is an ambient music project started in 1995 by Eraldo. Since its members live in separate parts of the world (Mick Harris in England; Bill Laswell in the US; and Eraldo Bernocchi in Italy), the project has been predominantly studio-based, with its members recording music in their respective countries.


Discography

See also
  • Axiom (record label)
  • List of ambient music artists


External links

Page 1 of 1
1
Page 1 of 1
1

Account

Social:
Pages:  ..   .. 
Items:  .. 

Navigation

General: Atom Feed Atom Feed  .. 
Help:  ..   .. 
Category:  ..   .. 
Media:  ..   .. 
Posts:  ..   ..   .. 

Statistics

Page:  .. 
Summary:  .. 
1 Tags
10/10 Page Rank
5 Page Refs